What is it exactly that I am doing with language, web, media? I am messing with them. I am looking at language. I am mixing it the way I would mix paint. And I do so like to mix my paint. I am placing it the way I place paint. I am layering it like paint. Mixing goo smearing and layering then scraping or scratching the surface to reveal covered layers. Looking at the structure of paint and language brings attention to process and media. Processing media. Media processing. Magic or encryption. Either or and. just when you think you know what's going on the pattern shifts and you realize that continuity exists as ebb and flow and if you try to fix it it fragments it shatters and the shards drift apart and reform into a variation shift sift the challenge to decide what matters what matter is to decide what to act what action what is actual what to do about it what about it is all drifting and shifting in ethereal ooze ether real liquid congealing solidifying to crack or melt process process process there is no final solution in fixed form solution liquid solution water meaningful or not important it is if we say it is then we have entered the main stage left right center north south east west water fire earth air elements directions once upon a time and then and then and then you must ask yourself then answer i know you know we know or not and the clock goes tic tic tic death and decay sits on our shoulder all the minutes of all the days you know this i know this that is the bottom line fear of what is real humans behave like bugs swarming blind in a fervor of nonsense knowing it is nonsense then the visionary comes along and tries to teach peace and harmony but the shoulder percher cackles that only fools fail to grasp what must be done to grasp and grasp at anything and everything within reach and hold on tight until it cracks from the pressure and shatters to drift or cut so liquid blood flows words and images systemstructure systurs the cisterns that contain liquid of the stuff that is not solid clear but hazy moderate and malleable endless 2001 .
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